Father Brian Kilkenney Finn:
Who is the coolest woman you and I have ever known, ever.
Rabbi Jacob "Jake" Schram:
That's easy. Anna Reilly, eighth grade. No question.
Father Brian Kilkenney Finn:
You got it.
Rabbi Jacob "Jake" Schram:
What? She called you? Anna Reilly called you?
Father Brian Kilkenney Finn:
Yeah. Totally out of the blue.
Rabbi Jacob "Jake" Schram:
Why?
Father Brian Kilkenney Finn:
'Cause she's coming to New York, uh, for work... and she wanted to get together with us. She just looked me up.
Rabbi Jacob "Jake" Schram:
Really? Anna Reilly. What is she doing now?
Father Brian Kilkenney Finn:
She - She's, like, analyzing synergies, or synergising analogies, or, or some such thing. I couldn't follow it. She's, like, this very high-powered business - You know.
Rabbi Jacob "Jake" Schram:
Woman?
Father Brian Kilkenney Finn:
Woman, yes. Thank you.
Rabbi Jacob "Jake" Schram:
Wow. And you told her about us?
Father Brian Kilkenney Finn:
Yeah. She flipped, in a - in a good way. You know, I mean, she laughed for about ten minutes, but she was excited.
Rabbi Jacob "Jake" Schram:
Man, that is so cool.
Father Brian Kilkenney Finn:
I know.
Rabbi Jacob "Jake" Schram:
I wonder why she called you.
Father Brian Kilkenney Finn:
What do you mean?
Rabbi Jacob "Jake" Schram:
No, I mean, she called you.
Father Brian Kilkenney Finn:
What, are you in the eighth grade still?
Rabbi Jacob "Jake" Schram:
What? That's a legitimate question. I just - I mean, we're both listed.
Father Brian Kilkenney Finn:
Finn before Schram, okay? You're ridiculous.
Rabbi Jacob "Jake" Schram:
That's a good point. Alphabetical.
Edith:
My God, what is this? It looks like a genuine Van Gogh, but I've never seen it before...
Dan:
Is that an original, John?
John Oldman:
No, it's just a gift someone gave me.
Edith:
Still, it's a superb copy. Contemporaneous I think, may I take a closer look?
John Oldman:
Please, yeah.
Edith:
Yes, it's the same stretcher Van Gogh used.
Dan:
Hey, there's writing on the back. It's in French.
Edith:
To my friend Jacques Bon. Wonder who that was?
John Oldman:
Someone he knew, I guess.
Pete:
Miranda, what's the last thing you remember?
Miranda:
I remember Chloe. I was having my Friday night session with Chloe.
Pete:
How did that go?
Miranda:
She was embellishing her rape story. I saw Doug.
Dr. Douglas Grey:
[in flashback] Dr. Graham.
Miranda:
You were there. When I went back to my office, I worked on Chloe's file. I decided to call it quits, I went down to the pool, had a swim, fifty five laps, saw Joe, got my keys. Went to my car. you walked me to it.
Pete:
Yes?
Miranda:
But there... There was a detour.
Sheriff Ryan:
[in flashback] Oh, hey, tell Doug to give me a call...
Miranda:
So I had to go over the bridge, so I went over the bridge.
Pete:
I wonder what else happened. Try to remember.
Miranda:
I got home. I saw Doug. He was on the couch.
Pete:
Try to remember.
Miranda:
There was a girl. Yeah, there was a girl.
Dre:
It's when you talk like that, that's what makes me think that you're jealous.
Sidney 'Syd' Shaw:
What?
Dre:
Yes. Jealous!
Sidney 'Syd' Shaw:
[throws a cookie on the table] No wonder you two are married, you're both crazy! Look here, contrary to what you and your wife may think, I don't spend my nights thinkin' about you, okay?
Dre:
Shh! Lower the voice.
Sidney 'Syd' Shaw:
I got a man who's fine, intelligent, successful, and gives it to me on a very, very regular basis and the s**t is the bomb!
Dre:
So! I don't care what -
Sidney 'Syd' Shaw:
Dre I need you to be happy for me. I need you to be there for me, just like you asked of me. So - so I can have tea and eat cucumber sandwiches with the crust cut off! [throws more cookies on the table in frustration]
Rollo Lee:
About some of these sponsorship ideas.
Willa Weston:
Mmm?
Rollo Lee:
I, I wonder if you and your fiancé don't, don't feel that... some, some of them are...
Willa Weston:
[interrupting] Fiancé? Vince? No, no. No, no, we're not together.
Rollo Lee:
Ohh, good.
Willa Weston:
"Good"?
Rollo Lee:
Good. - I mean, I know we're not making 20% yet, but, but some of the marketing devices are a bit... a bit... crude?
Willa Weston:
Yes.
Rollo Lee:
Good. Because, you know, the, the keepers and, um, and I were...
Willa Weston:
[looking into the lemur cage, while removing her jacket to expose a skimpy dress] Oh, look at that. *Aren't* they *gorgeous*? Oh, they just make you want to *fondle* them...
Rollo Lee:
Oh yes. Yes, yes, uh, yes, I see what you mean. Yes.
Willa Weston:
Is this one your favorite?
Rollo Lee:
Yes, yes, I like him breast of... uh, best, ahem, of all the... the small mammaries. Mammals. (Sorry.) Ahem. Yes, his, his name's, uh, Rollo, actually.
Willa Weston:
Really.
Rollo Lee:
Hm. Yes, so I, I sort of feed him some little special tits-bits. Tits. Tid, tid, sorry, tidbits. (Keep making boobs.) Anyway, he just... loves his nuts.
Willa Weston:
[slowly] Does he? Hmm. And is, uh, Rollo very sexually active?
Rollo Lee:
Well, he, he doesn't have a, a partner at the moment. You, you know, if he, if he had one...
Willa Weston:
One?
Rollo Lee:
Hm?
Willa Weston:
I mean, just one? He wouldn't get bored, or...? I mean... you had two... in your cage the other day.
Rollo Lee:
Oh, yes, huh. I mean, um, some of those, some of those sponsorship gimmicks are a bit sexcessive... exsexi... sexiss...
Willa Weston:
Excessive.
Rollo Lee:
That's it, sorry. Freudian slit. Slut. Slot.
Louis:
Then out of curiosity, boredom, who knows what, I left the old world and came back to my America. And there, a mechanical wonder allowed me to see the sun rise for the first time in two hundred years. And what sunrises, seen as the human eye could never see them: silver at first, then, as the years progressed, in tones of purple, red, and my long lost blue.
