But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her forward. [...] The trees overhead made a great sound of letting down their dry rain.
The hanging gate, of something like trelliswork, was propped on a pole, and he could see that the house was tiny and flimsy. He felt a little sorry for the occupants of such a place--and then asked himself who in this world had a temporary shelter. [Anonymous, Kokinshuu 987: Where in all this world shall I call home? A temporary shelter is my home.] A hut, a jeweled pavilion, they were the same. A pleasantly green vine was climbing a board wall. The white flowers, he said to himself, had a rather self-satisfied look about them. 'I needs must ask the lady far yonder,
What is more cheerful, now, in the fall of the year, than an open-wood-fire? Do you hear those little chirps and twitters coming out of that piece of apple-wood? Those are the ghosts of the robins and blue-birds that sang upon the bough when it was in blossom last Spring. In Summer whole flocks of them come fluttering about the fruit-trees under the window: so I have singing birds all the year round.
Lisa was thinking, as she climbed the apparently unending staircase, the she had taken pretty long odds. She had not hesitated to buck the Tiger, Life. Simon Iff had warned her that she was acting on impulse. But--on the top of that--he had merely urged her to be true to it. She swore once more that she would stick to her guns. The black mood fell from her. She turned and looked upon the sea, now far below. The sun, a hollow orb of molten glory, hung quivering in the mist of the Mediterranean; and Lisa entered for a moment into a perfect peace of spirit. She became once with Nature, instead of a being eternally at war with it.
He'd watched a falcon fall down the long blue wall of the mountain and break with the keel of its breastbone the midmost from a flight of cranes and take it to the river below all gangly and wrecked and trailing its loose and blowsy plumage in the still autumn air.
The threads of malice creeping toward him from Beloved's side of the table were held harmless in the warmth of Sethe's smile.
Ortho Stice played with a kind of rigid, liquid grace, like a panther in a back-brace.
So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.
Captain West advanced to meet me, and before our outstretched hands touched, before his face broke from repose to greeting and the lips moved to speech, I got the first astonishing impact of his personality. Long, lean, in his face a touch of race I as yet could only sense, he was as cool as the day was cold, as poised as a king or emperor, as remote as the farthest fixed star, as neutral as a proposition of Euclid. And then, just ere our hands met, a twinkle of--oh--such distant and controlled geniality quickened the many tiny wrinkles in the corner of the eyes; the clear blue of the eyes was suffused by an almost colourful warmth; the face, too, seemed similarly to suffuse; the thin lips, harsh-set the instant before, were as gracious as Bernhardt's when she moulds sound into speech.
The early summer sky was the color of cat vomit.
A slow smile curved over my face, and I leaned down over him.
Few witnesses agree, and fewer still were granted a glimpse of the Incredible Bone-Shaking Drill Engine. Its course took it under the earth and down hills, gouging up the land beneath the luxurious homes of wealthy mariners and shipping magnates, under the muddy flats where sat the sprawling sawmill, and down along the corridors, cellars, and storage rooms of general stores, ladies' notions shops, apothecaries, and yes ... the banks.
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold;
I often wish I'd got on better with your father,' he said. But he never liked anyone who--our friends,' said Clarissa; and could have bitten her tongue for thus reminding Peter that he had wanted to marry her. Of course I did, thought Peter; it almost broke my heart too, he thought; and was overcome with his own grief, which rose like a moon looked at from a terrace, ghastly beautiful with light from the sunken day. I was more unhappy than I've ever been since, he thought. And as if in truth he were sitting there on the terrace he edged a little towards Clarissa; put his hand out; raised it; let it fall. There above them it hung, that moon. She too seemed to be sitting with him on the terrace, in the moonlight.
Here we go mother on the shipless ocean. Pity us, pity the ocean, here we go.
...a simple dream, set in a city park, along an avenue of mature elms, whose overarching branches turned the avenue into a green tunnel into which the sky and the sunlight were dripping, here and there, through the perfect imperfections in the canopy of leaves.
Fear no more,
The road was frozen. The village lay quiet under the cold sky. Komako hitched up the skirt of her kimono and tucked it into her obi. The moon shone like a blade frozen in blue ice.
Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.
In the height of the gusts, in my high position, where the seas did not break, I found myself compelled to cling tightly to the rail to escape being blown away. My face was stung to severe pain by the high-driving spindrift, and I had a feeling that the wind was blowing the cobwebs out of my sleep-starved brain.
They're endless, stretching beyond the horizon and spreading around me like forever. They heave and moan, frothing over each other, cresting and falling. The pure depth and vastness of it all beyond comprehension, my eyes unable to focus on any individual. Instead I'm drowned in their need. They ripple and swell, the bodies of the Mudo, like the ocean. Like the dead-tossed waves.
I brought to mind the image of the stranger lying there in the first light of dawn: the slight growth of whiskers on his chin, strands of his red hair shifting gently on the faint stirrings of the morning breeze, the pallor, the extended legs, the quivering fingers, that last, sucking breath. And that word, blown into my face ...
Ghosts have a way of misleading you; they can make your thoughts as heavy as branches after a storm.
The necropolis has never seemed a city of death to me; I know its purple roses (which other people think so hideous) shelter hundreds of small animals and birds. The executions I have seen performed and have performed myself so often are no more than a trade, a butchery of human beings who are for the most part less innocent and less valuable than cattle. When I think of my own death, or the death of someone who has been kind to me, or even of the death of the sun, the image that comes to my mind is that of the nenuphar, with its glossy, pale leaves and azure flower. Under flower and leaves are black roots as fine and strong as hair, reaching down into the dark waters.
...we could see the parapet of Ryougoku Bridge, arching above the waves that flickered in the faint mid-autumn twilight and against the sky, as though an immense black Chinese ink stroke had been brushed across it. The silhouettes of the traffic, horses and carriages soon faded into the vaporous mist, and now all that could be seen were the dots of reddish light from the passengers' lanterns, rapidly passing to and fro in the darkness like small winter cherries.
But then I'm distracted by movement in the Forest, a glimpse of red at the edge of my vision. She's no longer running, no longer even walking or standing, but crawling now. Dragging her broken body across the ground toward me, her fingers clawing at the dirt. Her progress is slow, unbearably so. Such that it's almost sad to see her reduced to this. Her body has used up it's stores of energy and has begun collapsing in on itself.
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