Principal:
Mr. Madison, the Industrial Revolution changed the face of the modern novel forever. Discuss, citing specific examples. [Billy clears his throat several times]
Billy Madison:
Uh... Okay. The Industrial Revolution to me is just like a story I know called "The Puppy Who Lost His Way." The world was changing, and the puppy was getting... bigger. [Later]
Billy Madison:
So, you see, the puppy was like industry. In that, they were both lost in the woods. And nobody, especially the little boy - "society" - knew where to find 'em. Except that the puppy was a dog. But the industry, my friends, that was a revolution. [Long pause]
Billy Madison:
Knibb High football rules! [the crowd erupts into cheers]
Principal:
Mr. Madison, what you have just said is one of the most insanely idiotic things I have ever heard. At no point in your rambling, incoherent response were you even close to anything that could be considered a rational thought. Everyone in this room is now dumber for having listened to it. I award you no points, and may God have mercy on your soul.
Billy Madison:
Okay, a simple "wrong" would've done just fine.
[first lines]
Narrator:
As the 21st century began, human evolution was at a turning point. Natural selection, the process by which the strongest, the smartest, the fastest, reproduced in greater numbers than the rest, a process which had once favored the noblest traits of man, now began to favor different traits. Most science fiction of the day predicted a future that was more civilized and more intelligent. But as time went on, things seemed to be heading in the opposite direction. A dumbing down. How did this happen? Evolution does not necessarily reward intelligence. With no natural predators to thin the herd, it began to simply reward those who reproduced the most, and left the intelligent to become an endangered species.
It seems obvious, looking back, that the artists of Weimar Germany and Leninist Russia lived in a much more attenuated landscape of media than ours, and their reward was that they could still believe, in good faith and without bombast, that art could morally influence the world. Today, the idea has largely been dismissed, as it must in a mass media society where art's principal social role is to be investment capital, or, in the simplest way, bullion. We still have political art, but we have no effective political art. An artist must be famous to be heard, but as he acquires fame, so his work accumulates 'value' and becomes, ipso-facto, harmless. As far as today's politics is concerned, most art aspires to the condition of Muzak. It provides the background hum for power.
Once we were blobs in the sea, and then fishes, and then lizards and rats, and then monkeys, and hundreds of things in between. This hand was once a fin, this hand once had claws! In my human mouth I have the pointy teeth of a wolf and the chisel teeth of a rabbit and the grinding teeth of a cow! Our blood is as salty as the sea we used to live in! When we're frightened, the hair on our skin stands up, just like it did when we had fur. We ARE history!Everything we've ever been on the way to becoming us, we still are. Would you like the rest of the story?
I'm made up of the memories of my parents and my grandparents, all my ancestors. They're in the way I look, in the color of my hair. And I'm made up of everyone I've ever met who's changed the way I think.
