I guess it's because I do have a younger audience that, you know, parents worry about the role model thing. But when I was younger, I looked up to people, but I never wanted to be them. I always had my own identity. I'm an entertainer when I'm on stage, and they need to explain that to their kids. That's not my job to do that.
Yeah. First of all, sex and violence are always something that attracts an audience, and vampire stories usually have a lot of both. And, vampires symbolize consistency and something that's permanent, in a world where everything is constantly changing -- humans, animals, nature and even mountains will change over time. To have something that will just stand the test of time is attractive. Eric has been around for a thousand years, and he hasn't changed one bit. That intrigues people. What makes good drama is that people are intrigued by that and drawn towards it, but at the same time, that comfort they feel in something that is consistent, is also lethal and can kill them in a second. That creates a good platform for drama. -- on why people are attracted to vampires and the whole sub-genre in general.
Song Liling: Please come back. My audiences miss the white devil in their midst.
Mike LaFontaine: I worked some bills with a few Folkies, you know - "Put 'em in a cell with a long hose on him, put 'em in a cell with a long hose on him!" I used to say "If he's got a long enough hose, he's gonna have a lot of friends in the shower room." Folk audiences hated that joke.
I think comedy as an art involves the audience as a participant as much as is involves the artist.
Everybody has theyre own audience you know what Im saying. I write rhymes and make music for the people that I fell wanna hear my music. They write rhymes and make music for the people they feel wanna hear theyre music.
Like the he-man movie stars who turn out to be queer . . . or the silent-film actors whose voices sound terrible recorded--the audience only wants a limited amount of honesty. [ellipses original]
Always make the audience suffer as much as possible.
Bunny Breckinridge: What about glitter? When I was a headliner in Paris, audiences always liked it when I sparkled. Edward D. Wood, Jr.: No! Bunny Breckinridge: Cat's Eyes. Edward D. Wood, Jr.: No! Bunny Breckinridge: Well, I'm going to need some antennae. Edward D. Wood, Jr.: No! You're the ruler of the galaxy! Show a little taste!
Always mystify, torture, mislead, and surprise the audience as much as possible.
A director is a general in charge of an army of traitors like any showman. An audience will love you, laugh with you and wait outside your stage door when you're hot and on a roll, but no audience is ever truly friendly. Not for long. Bore 'em or disappoint 'em - even once - and they'll turn on you and tear you to pieces, regardless of who you are or might once have been.
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