I never ever thought that I was a giggler. I was the one who could hold it together but I didn't on this at all. I was kind of useless. Sometimes Ricky would just look at me and that was it and I would just be away.
I know what I look like. I'm not a babe who's automatically going to be the leading-lady type. I think I would always be cast as the friend. I probably tend to look crap more often than I look good. I like messing around and pulling funny faces and doing funny walks. As a child I always chose a false nose and some face paint and a wig for my birthday.
They're not clothes that Ashley would wear. But the thing is, you can't stand out. At first I thought, 'I'll get myself a black Armani three-quarter-length coat', but then I was told that with Special Branch you have to blend in, so I could almost be taken for his daughter.
Wow, that's a lot. Basically I have been trying to build a career for myself. I learned early on what to do and how to last and I’ve tried to build on that.
The only person who beat me was Jenna Jameson and that kicks ass.
I've learned to think in terms of having a long career. Actors can have very long careers that last until the day we die, but there will be moments when you'll feel like you're a failure or when you're disappointed in yourself. I've learned from my dad that those feelings don't mean you should stop what you're doing. They mean you should try even harder; you should push even further. Perhaps because of failure, you're getting even closer to your ultimate goal.
I don't care who or what judges me, nothing's going to stop me from living my life how I choose
Getting divorced just because you don`t love a man is almost as silly as getting married just because you do.
I dont think the money people in Hollywood have ever thought I was normal, but I am dedicated to my work and that's what counts.
Women are not inclined to go that way.
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David Santiago: [the entire family has walked in on Ryden on top of David with no shirt on, David and Ryden look up shocked] Fuck me. Grandma Maureen: Well I would, but it appears someone beat me to it.
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I`m the type of guy who fails and fails and fails, and then, as if failure has become sick of him, succeeds.
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Coach Larry Gelwix: It's Important you know this upfront. You spend a whole lotta time in the gym, you eat right, you sleep enough and you work your tail off and someday, someday you'll have a body like mine.
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The problem with people who have no vices is that generally you can be pretty sure they're going to have some pretty annoying virtues.
Linda Williams Stillman: My house! My rules!
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I am really keen on horses. When I was a child I used to ride and I also took part to some horse shows. One of my dreams is to spend more time with these beautiful animals: I wish I could run a riding school or a place in which I can host horses and take care of them.
Bowman turned his back on her and began to search the place methodically and exhaustively. When one searches any place, be it a gypsy caravan or a baronial mansion, methodically and exhaustively, one has to wreck it completely in the process.So, in a orderly and systematic fashion, Bowman set about reducing Czerda's caravan to a total ruin.
False face must hide what the false heart doth know.
This won't look so good in my obituary,
Are you there vodka? It's me, Chelsea. Please get me out of jail and I promise I will never drink again. Drink and drive. I will never drink and drive again. I may even start my own group fashioned after MADD, Mothers Against Drunk Driving, but I'll call it AWLTDASH, Alcoholics Who Like to Drink and Stay Home.
John Tucker: So you're lab partners with Kate, right? We talk. What's her deal? Scott: Yeah, I don't know. I don't think she's your type. John Tucker: Girl is my type. Scott: Alright, well then maybe you're not her type. She's into stuff like old school Elvis Costello, she listens to obscure podcasts, she reads Dave Eggers. You know, she's deep, man. John Tucker: Dude, I'm deep. I'm dating the poetry club.
When evening comes, I return home and go into my study. On the threshold I strip off my muddy, sweaty, workday clothes, and put on the robes of court and palace, and in this graver dress I enter the antique courts of the ancients and am welcomed by them, and there I taste the food that alone is mine, and for which I was born. And there I make bold to speak to them and ask the motives of their actions, and they, in their humanity, reply to me. And for the space of four hours I forget the world, remember no vexation, fear poverty no more, tremble no more at death: I pass indeed into their world.
Thank you for coming into my life and giving me joy, thank you for loving me and receiving my love in return. Thank you for the memories I will cherish forever. But most of all, thank you for showing me that there will come a time when I can eventually let you go.
Emira Eagle: That was the last time I saw him... alive.
From this arises the following question: whether it is better to be loved than feared, or the reverse. The answer is that one would like to be both the one and the other, but because they are difficult to combine, it is far better to be loved than feared if you cannot be both.
Because I am a bad girl, people always automatically think that I am a bad girl. Or that I carry a dark secret with me or that I'm obsessed with death. The truth is that I am probably the least morbid person one can meet. If I think more about death than some other people, it is probably because I love life more than they do.
Chancho: Nacho! Where are you going? Nacho: There is no place for me in this world. I don't belong out there, and I don't belong in here. So I'm going out into the Wilderness. Probably, to die. Chancho: Well, you might need this [Gives Nacho the sword] Chancho: My mother gave it to me before she died. It was her lucky machete. You can have it. Nacho: I hope to see you again little Chancho. Maybe in the next life. [Departs]
Everything's gonna be alright.
As Oscar Wilde said, golf is a waste of a good walk. (On his father`s profession)
Rick Penning: i dont do anything embarrass myself ,my team and my family
Women are sneaky.
I think there's a fine line between being a slut and being classy. I walk in between that line.
It is an infantile superstition of the human spirit that virginity would be thought a virtue and not the barrier that separates ignorance from knowledge.
Jean Roqua: [Jake is considering going to the Beatdown] Do this and you can never come back in my gym again. I let you get away with it once, not twice. Jake Tyler: Wait! You think this is what I want? To never train with you again? Just to give some asshole the show that he's looking for? Jean Roqua: Then stop! Let it go. Jake Tyler: The night my dad died, I just let him drive. I didn't even try to stop him. Doing nothing has consequences too. Jean Roqua: You cannot live in the past, my friend. Jake Tyler: Really? If you could go back, and stop the guy who shot your brother. Jean Roqua: Don't push me. Jake Tyler: I know you would've fought that guy. I know... Jean Roqua: You know nothing! Seven years. Seven years, I've not seen my family. My friends. And every day, like the day before, I wake up, wash my face, look myself in the mirror, disgusted. Jake Tyler: Why not go back? Jean Roqua: And face my father? The last time he spoke to me, he said both of his sons died that night. Jake Tyler: Well if that's what you believe, then he was right. You gave up. Sometimes fighting the fight means that you have to do the one thing you don't want to do. You have to fight for his forgiveness. You can't just hide here forever. At least I can't. I'm gonna stop this guy. Win, lose, it makes no difference. It ends tonight. This is my fight. Everyone's got one. Jean Roqua: Jake, no matter what happens, control the outcome. It's on you. Jake Tyler: Always has been.
I don't believe in charmed lives. I think that tragedy is part of the lesson you learn to lift yourself up, to pick yourself up and to move on.
Monica: I am so jealous. Rachel: You guys are really just right there.Aren't you? Chandler: Yes... Right where? Monica: The beginning, where it's all sex and talking and sex and talking... Chandler: Yeah you gotta love the talking. Monica: And the sex? Chandler: Alright we hadn't have sex yet. Okay. What's the big deal?This is special. I want our love to grow before moving to the next level. Rachel: Oh, chandler, that is so nice. Ross: That is really nice... Lying! No way is that the reason. Rachel: Why? Just because you're not mature enough to understand something like that? Chandler: He's right. I'm totally lying. Monica: Then what is it? Chandler: Kathy's last boyfriend was Joey. Ross: And you're afraid you won't be able to fill his shoes? Chandler: No. I'm afraid I won't be able to make love as well as him. Ross: I was going for the metaphor. Chandler: Yes and I was saying the actual words. Monica: Big deal. So Joey has had a lot of girlfriends. That doesn't mean he's great in bed. Chandler: We share a wall. So either is great in bed, or she just liked to agree with him a lot. Monica: With you it's gonna be different. The sex is gonna be great because you guys are in love. Chandler: Yeah? Ross: Just go for it Chandler. Monica, Rachel: Yeah you should. Chandler: All right. All right. I'll sleep with my girlfriend. But I'm just doing it for you guys.
Gwen Saticoy: [after the first day of her trial] ... So are you going to get a book deal when this is all over? Danielle Kline: That depends on what happens during the trial. But they might offer me one. Why? Would you be upset if I took it? Gwen Saticoy: Would you turn it down if I said yes? [Kline shakes her head no] Gwen Saticoy: Well, at least you're honest. Danielle Kline: Gwen, I've got a successful practice. I don't need a book deal. And I don't need this case, either. Gwen Saticoy: So why ARE you doing it? And don't give me that song-and-dance about my not getting a fair trial by the public defender. Danielle Kline: To be in the heart of controversy. A couple of talk shows, magazine interviews... And, best of all, every courtroom lawyer's fantasy: to be squaring off against Merle Hammond. You know how much they hate it? Gwen Saticoy: I can imagine. Danielle Kline: No, you can't. There's one other reason: you. In twenty years of criminal defense work, I've had two clients that I believed in. The other one got the chair ten years ago. Gwen Saticoy: Well, my odds really look good.
Carine McCandless: [voice-over] The year Chris graduated high school, he bought the Datsun used and drove it cross-country. He stayed away most of the summer. As soon as I heard he was home, I ran into his room to talk to him. In California, he'd looked up some old family friends. He discovered that our parents' stories of how they fell in love and got married were calculated lies masking an ugly truth. When they met, Dad was already married. And even after Chris was born, Dad had had another son with his first wife, Marcia, to whom he was still legally married. This fact suddenly redefined Chris and me as bastard children. Dad's arrogance made him conveniently oblivious to the pain he caused. And Mom, in the shame and embarassment of a young mistress, became his accomplice in deceit. The fragility of crystal is not a weakness but a fineness. My parents understood that a fine crystal glass had to be cared for or it may be shattered. But when it came to my brother, they did not seem to know or care that their course of secret action brought the kind of devastation that could cut them. Their fraudulent marriage and our father's denial of his other son was, for Chris, a murder of every day's truth. He felt his whole life turn, like a river suddenly reversing the direction of its flow, suddenly running uphill. These revelations struck at the core of Chris' sense of identity. They made his entire childhood seem like fiction. Chris never told them he knew and made me promise silence, as well.
I hate girls that giggle all the time... You hate any girl that David looks at.
Michael Collins: Give *us* the future, we've had enough of your past. Give us back our country, to live in , to grow in, to love.
When a stargirl cries, she sheds not tears but light.
Mable "Madea" Simmons: [referring to Mr. Brown] He's too saved. Vianne: What's wrong with him being saved? Mable "Madea" Simmons: Nothing wrong with being saved, I say he's *too* saved. He's so saved you can't say nothing to him. You ask him how you doing, he says "Praise the Lord!". You say it's a nice day, he says "Thank you Jesus!" You ever called his house? Vianne: No. Mable "Madea" Simmons: His answering machine says "We're not in right now, hallelujah, praise the lord, thank you Jesus, glory to God. Leave a message at the sanctified beep. If this is a bill collector, we rebuke you in the name of Jesus!"
[On her The Night of the Iguana (1964) co-star Richard Burton] Richard Burton drank so much at night that the next morning the alcohol literally oozed out of his pores. He gave off a terrible odor-playing a scene with him could be most unpleasant.
Warden Samuel Norton: I have to say that's the most amazing story I've ever heard. What amazes me most is that you were taken in by it. Andy Dufresne: Sir? Warden Samuel Norton: It's obvious this fellow Williams is impressed with you, he hears your tale of woe and naturally wants to cheer you up. He's young, not terribly bright, it's not surprising he wouldn't know what a state he put you in. Andy Dufresne: Sir, he's telling the truth. Warden Samuel Norton: Let's say for the moment this Blatch does exist. You think he'd just fall to his knees and cry: "Yes, I did it, I confess! Oh, and by the way, add a life term to my sentence." Andy Dufresne: You know that wouldn't matter. With Tommy's testimony I can get a new trial. Warden Samuel Norton: That's assuming Blatch is still there. Chances are excellent he'd be released by now. Andy Dufresne: Well they'd have his last known address, names of relatives. It's a *chance*, isn't it. [Norton shakes his head] Andy Dufresne: How can you be so obtuse? Warden Samuel Norton: What? What did you call me? Andy Dufresne: Obtuse. Is it deliberate? Warden Samuel Norton: Son, you're forgetting yourself. Andy Dufresne: The country club will have his old time cards. Records, W-2s with his name on them. Sir, if I ever get out, I'd never mention what happens here. I'd be just as indictable as you for laundering that money. [Norton slaps the table] Warden Samuel Norton: Don't you ever mention money to me again, you sorry son of a bitch! Not in this office, not anywhere!
Nacho: [signing letter to Sister Encarnacion] Hug hug, kiss kiss, hug hug, big kiss, little hug, kiss kiss, little kiss.
If being sane is thinking there`s something wrong with being different....I`d rather be completely fucking mental.
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Eddie: Cain't nobody sang like Eddie Caine Jr!
You never toot your own horn.
Emma: You look like a pumpkin, bitch!
Narrator: When your heart breaks it can grow back crooked. It grows back twisted and gnarled and hard.
Mr. Welling: [Stymie and Spanky go into a bank trying to get a loan disguised as two Amish men] What is your account... [looks up and pauses] Mr. Welling: number? George "Spanky" McFarland: Uh, seven. Mr. Welling: [uncertain] Seven?... seven? Billy "Froggy" Laughlin: [is under Spanky to hold him up] Try eight. George "Spanky" McFarland: Eight? Mr. Welling: [still uncertain, the turns stern] Heard enough. Mr. Welling: [pulls their fake beards and lets them go hitting Stymie and Spanky in their faces] Mr. Welling: If you were *my* kids, I'd punish you. Stymie: If we were *your* kids, we'd punish ourselves! Mr. Welling: [desperate for them to leave] Leave the premises posthaste! George "Spanky" McFarland: You can't treat people like this, Mister! Mr. Welling: You're not people, you're kids.
On her mother shooting her father: I don't think you can go through something like that and not kind of walk with it, hand in hand. But you try very hard to move on.
A wise girl kisses but doesn't love, listens but doesn't believe, and leaves before she is left.
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